Stef Van Oevelen (1996) studied for his master’s degree in graphic Design at KASK Ghent between 2016 and 2021. Graduated with ‘MODULE’, an independent publication, in which modularity and individual decision-making are essential. Since 2021 he is working as an independent graphic designer.

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09   |   Streep : Vol. One – The Iron Lady, Stef Van Oevelen - Publication, 115 x 160 mm, April 2018. Film rewritten as a novel with conditional design, as Meryl Streep's spoken words are converted into stripes and the length is based on how often they occur within the film. All accompanying information such as camera position and scene arrangement are written as footnotes.
08   |   Since We’ve Met, Rein Van Der Sypt - Photo book, 205 x 260 mm, May 2020. A collection of momentous images of two strangers who get to know each other on a journey. Together they search what they have in common.
07   |   S.N.C.K.S. #002 : Palm, Stef Van Oevelen - Zine, 200 x 280 mm, May 2020. A series of Zines composed with images from roughly 10 years Snoecks, a Belgian art magazine. Each issue is based upon conditional design such as colour and various themes. #002 : Palm is a collection of palms.
06   |   S.N.C.K.S. #001 : Color Spectrum, Stef Van Oevelen - Zine, 200 x 280 mm, May 2018. A series of Zines composed with images from roughly 10 years Snoecks, a Belgian art magazine. Each issue is based upon conditional design such as colour and various themes. #001 : Color Spectrum is a transition from black to purple according to the colour spectrum.
05   |   Republishing, Stef Van Oevelen - Publication, Website, 210 x 297 mm, June 2018. An interactive analogue and digital storytelling by having a cryptic conversation with a computer and yourself and ending up with an absurd readable story. I.c.w. Amelie Verleene,  Stacy Suy and Lene Verschaeren
04   |   The New York Times – Fake News, Stef Van Oevelen - Newspaper, 340 x 500 mm, April 2018. Is the use of photographs relevant in newspaper articles? Or is the photo useless in relation to the article? A research on the relation between text and image by reducing the size of the image in order to correctly reflect its use.
03   |   MODULE, Stef Van Oevelen - Self Published book, 215 x 285 mm, September 2020. Module is a modular publication that is shaped by the reader/participant. By means of questions and interventions, the book adapts itself.
02   |   Dark Galleries, Stef Van Oevelen - Publication, 140 x 140 mm, June 2018. Part of The Dark Galleries by Lisa Colpaert and Steven Jacobs, redesigned like an analogue roll of film.
01   |   The dark carnival of humanity's most wretched impulses, Stef Van Oevelen - Publication, 215 x 285 mm, May 2019. An alternative method of experiencing the Internet in a safe way without leaving a digital footprint behind. A publication with the same experiences such as sharing, liking and commenting.